Anyone studying the mod culture immediately cites the use of amphetamines as an integral part of the movement. After the sexual revolution in the 1950’s, fueled by the creation of Rock and Roll and the dancing that accompanied it, the youth of Great Britain began to congregate in night clubs to dance and listen to the new generation of music. This new nightlife was supplemented by new types drugs that didn’t create the same intoxication effect that alcohol did. This was noted in an article for the London Evening Standard written by Anne Sharpley
They [the teenagers] are looking
for, and getting, stimulation not intoxication.
They want greater awareness, not
escape. And the confidence and articulacy
that the drugs of the amphetamine
group give them is quite different from the
drunken rowdiness of previous
generations on a night out (3 February 1964).
The stimulating effects of the
drugs were often used as an excuse to escape the mods “hostile and daunting everyday work lives
and the inner world of dancing and dressing up in their off-hours”1.
It was a common thing to see young
people wandering out of clubs early in the morning with dilated pupils and large
bags under their eyes, and even at times, suffering from severe hallucinations.
Naturally,
since the drugs were being used by the followers of the subculture, the
leaders, the bands themselves, began to use them and it inspired several famous
songs that are still popular today. One
such song, The Kinks ‘Big Black Smoke’, mentions the drug Dexamyl2
under its street name purple heart in the line ’And
every penny she had was spent on
purple hearts and cigarettes’.
Purple heart was used very often, and was known to cause euphoria and
even sometimes hallucinations.
Another
very popular song from this time period is The Beatles ‘Day Tripper’. Unlike Lucy in the Sky with Diamonds, which
many people theorize is about LSD, Day Tripper is without a doubt about
acid. Acid is a hallucinogen, and it is
well known that The Beatles used to use this psychedelic drug to inspire a lot
of their lyrics.
1. Dr. Andrew Wilson (2008). "Mixing the Medicine: The unintended consequence of amphetamine
control on the Northern Soul Scene" (PDF).
Internet Journal of Criminology. Retrieved 2008-10-11.2.
2. Hebdige, Dick. "The Meaning of Mod," in Resistance Through Rituals: Youth Subcultures in Post-War
Britain. Stuart Hall and
Tony Jefferson, eds. London. Routledge, 1993. Page 171
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